Friday, 26 October 2012

Sound Glossary


Diegetic sound – sound that comes from a person or object in the diegesis (the world of the story) and seen within the field of vision.

Non-diegetic sound – sound that comes from nothing within the field of vision and has been added afterwards in the editing process. The clearest examples of this are soundtrack music or voiceover.

Soundtrack – a recording of the musical accompaniments to a movie.

ThemeThe subject of a talk, a piece of writing, a person's thoughts, or an exhibition; a topic

TuneA melody, esp. one that characterizes a certain piece of music

Incidental musicMusic used in a film or play as a background to create or enhance a particular atmosphere

Sound effects (FX)A sound other than speech or music made artificially for use in a play, movie, or other broadcast production

Ambient soundIn atmospheric sounding and noise pollution, ambient noise level (sometimes called background noise level, reference sound level, or room noise level) is the sound pressure level at a given location, normally specified as a reference level to study a new intrusive sound source.

DialogueConversation between two or more people as a feature of a book, play, or movie
Voiceover - Voice-over (also known as off-camera or off-stage commentary) is a production technique where a voice that is not part of the narrative (non-diegetic) is used in a radio, television production, filmmaking, theatre, or other presentations.

Sources: http://www.slideshare.net/raybloggs/glossary-of-sound-terms-for-tv-drama and Google web definitions

Wednesday, 24 October 2012

Task 6 Continued...


Camera Shot Types Terminology
Extreme Wide Shot
EWS (Extreme Wide Shot)

The view is so far from the subject that he isn't even visible. Often used as an establishing shot.
Very Wide Shot
VWS (Very Wide Shot)

The subject is visible (barely), but the emphasis is still on placing him in his environment.
Wide Shot
WS (Wide Shot)

The subject takes up the full frame, or at least as much as comfortably possible.
AKA: long shotfull shot.
Mid Shot
MS (Mid Shot)

Shows some part of the subject in more detail while still giving an impression of the whole subject.
Medium Close Up
MCU (Medium Close Up)

Half way between a MS and a CU.
Close Up
CU (Close Up)

A certain feature or part of the subject takes up the whole frame.
Extreme Close Up
ECU (Extreme Close Up)

The ECU gets right in and shows extreme detail.
Variation: Choker
cut-in
Cut-In

Shows some (other) part of the subject in detail.
Cutaway
CA (Cutaway)

A shot of something other than the subject.
two-shot
Two-Shot

A shot of two people, framed similarly to a mid shot.
over-the-shoulder shot
(OSS) Over-the-Shoulder Shot

Looking from behind a person at the subject.
noddy
Noddy Shot

Usually refers to a shot of the interviewer listening and reacting to the subject.
point of view (POV)
Point-of-View Shot (POV)

Shows a view from the subject's perspective.
weather shot
Weather Shot

The subject is the weather. Can be used for other purposes, e.g. background for graphics.

Task 6


Terminology
Audience – viewers, listeners and readers of a media text. A lot of media studies is concerned with how audience use texts and the effects a text may have on them. Also identified in demographic  socio-economic categories.
Code – a sign or convention through which the media communicates meaning to us because we have learned to read it. Technical codes – all to do with the way a text is technically constructed – camera angles, framing, typography, lighting etc. Visual codes – codes that are decoded on a mainly connotational level – things that draw on our experience and understanding of other media texts, this includes Iconography – which is concerned with the use of visual images and how they trigger the audiences expectations of a particular genre, such as a knife in slasher horror films.
Consumer – purchaser, listener, viewer or reader of media products.
Context – time, place or mindset in which we consume media products.
Conventions – the widely recognised way of doing things in particular genre.
Denotation – the everyday or common sense meaning of a sign. Connotation – the secondary meaning that a sign carries in addition to it’s everyday meaning.
Diegetic Sound – Sound whose source is visible on the screen Non Diegetic sound – Sound effects, music or narration which is added afterwards
Enigma – A question in a text that is not immediately answered and creates interest for the audience – a puzzle that the audience has to solve.
Feminism – the struggle by women to obtain equal rights in society
Genre – the type or category of a media text, according to its form, style and content.
Ideology – A set of ideas or beliefs which are held to be acceptable by the creators of the media text, maybe in line with those of the dominant ruling social groups in society, or alternative ideologies such as feminist ideology.
Indexical sign – a sign which has a direct relationship with something it signifies, such as smoke signifies fire.
Image – a visual representation of something.
Institutions – The organisations which produce and control media texts such as the BBC, AOL Time Warner, News International.
Media language – the means by which the media communicates to us and the forms and conventions by which it does so.
Media product – a text that has been designed to be consumed by an audience. E.G a film, radio show, newspaper etc.
Media text – see above. N.B Text usually means a piece of writing
Mise en Scene – literally ‘what’s in the shot’ everything that appears on the screen in a single frame and how this helps the audience to decode what’s going on.
Montage – putting together of visual images to form a sequence. Made famous by Russian film maker Eisenstein in his famous film Battleship Potemkin.
Multi-media – computer technology that allows text, sound, graphic and video images to be combined into one programme.
Narrative code – The way a story is put together within a text, traditionally equilibrium- disequilibrium, new equilibrium, but some text are fractured or non liner, eg Pulp Fiction.
News values – factors that influence whether a story will be picked for coverage.
Non-verbal communication – communication between people other than by speech.
Ownership – who produces and distributes the media texts – and whose interest it is.
Patriarchy – The structural, systematic and historical domination and exploitation of women.
Popular Culture – the study of cultural artefacts of the mass media such as cinema, TV, advertising.
Post Modernism – Anything that challenges the traditional way of doing things, rejecting boundaries between high and low forms of art, rejecting rigid genre distinctions, emphasizing pastiche, parody, intertextuality, irony, and playfulness. Postmodernism favours reflexivity and self-consciousness, fragmentation and discontinuity (especially in narrative structures), ambiguity, simultaneity, and an emphasis on the destructured, decentered, dehumanized subjects! This is tricky!
Propaganda – the way ruling classes use the mass media to control or alter the attitudes of others.
Reader – a member of the audience, someone who is actively responding to the text.
Regulation – bodies whose job it is to see that media texts are not seen by the wrong audience (eg British Board of Film Censors) or are fair and honest (EG Advertising Standards Association)
Representation – The way in which the media ‘re-presents’ the world around us in the form of signs and codes for audiences to read.
SFX – special effects or devices to create visual illusions.
Shot – single image taken by a camera.
Sign – a word or image that is used to represent an object or idea.
Signifier/Signified – the ‘thing’ that conveys the meaning, and the meaning conveyed. EG a red rose is a signifier, the signified is love (or the Labour Party!)
Sound Effects – additional sounds other than dialogue or music, designed to add realism or atmosphere.
Stereotype – representation of people or groups of people by a few characteristics eg hoodies, blondes
Still – static image.
Sub-genre – a genre within a genre.
Uses and Gratifications – ideas about how people use the media and what gratification they get from it. It assumes that members of the audience are not passive but take an active role in interpreting and integrating media into their own lives.

Tuesday, 16 October 2012

Task 4


What roles or jobs are there in a TV Drama?
Director - The person who takes responsibility for all Creative, Visual and Sound aspects of the production. They are also responsible for the positioning of Camera, Lighting, Microphones, Props as well as Actors and Staff Members. They are expected to call out commands and maintain order within the Production Team.

Producer - The person who oversees the entire Television Production and brings together all of its elements. They are expected to be across all the various stages of production and participate in many activities, including Screen Writing, Set Design, Casting etc.

Actor - The person who acts in the Dramatic Production, they essentially interpret or pretend to be a Dramatic Character. A good Actor loses himself within his character and ensures it looks realistic. Not all Actors are able to do this, so not all Actors are very good.

Production Manager - The person who oversees Television Production from Start to Finish, they make sure a Budget is met and things like Accomodation and Catering are organised.

Script Writer - A Writer who practices the craft of Screenwriting and writing Screenplays. Every Screenplay begins with a script, and it is the Scriptwriter's (or Screenwriter's) job to use and sell those ideas in order to have them produced.

Script Editor - The Script Editor is the person who works with both the Writer and the Producer in order to make sure the story crosses from Paper to Screen effectively. They help create the desired atmosphere and make sure it is ready on time.

Script Continuity - The person who makes sure each scene continues from one to the next smoothly and correctly. They maintain Scenery, Lighting, Wardrobe and all that is essential for one scene to be the same as the next or last.

Production Secretary - These people provide essential administative support to the Production Team by fulfilling vital secretarial duties. They, along with Production Assistants, Production Managers etc, make up a Production Office.

Location Manager - The person responsible for finding Locations and Settings for each scene. They ensure a Filming Session is hassle free for everone involved as well as making sure Health and Safety procedures are met. They must also deal with the owners of the Location.

Researcher - This person supports the Producer, contributing ideas and sources and interviewing possible contributors. 

Runner - Possibly the most junior member of the Television Production Team, they get involved in many aspects of the Television Production (including Photocopying!). It is how many people start out in the Film/Television Industry as it is a common entry-level role.

Task 3


Representations of Social Groups
How do different Television Dramas represent Social Groups and Social Issues?
 Conflict - What Dramatic conflicts are represented between Social Groups?

How do different Television Dramas represent Social Groups and Issues?
The portrayal of various Social groups and Social Issues within Television is usually Negative. In Television Drama, most Issues are used to make the content more entertaining. For example, in Soap Operas like Eastenders and Coronation Street, Social Issues and Community Issues include things like Pregnancy, Adultery and Crime. Secrets within the Community make the programme more Dramatic for the audience and make the viewer excited and wishing for more (the audience knowing something the characters do not is called 'Dramatic Irony'). Television Dramas present Social Groups negatively as many stereotypes of certain Social Groups (such as the working class or people of a different race) are quite negative.On the other hand, some Television Dramas, such as Comedy Dramas, present Social Groups and Issues in a more positive (or really, a less negative) way. Some Dramas present Social Issues positively, for example, the programme 'Pramface' is a comedy centered on Teenage Pregnancy and 'Grandma's House' is a comedy centered on Unemployment, Family Disagreements and Coming-of-age.

What Dramatic conflicts are represented between Social Groups?
Many Dramatic Conflicts between Social Groups are represented negatively and sometimes aggressively. In Television Dramas where there is an obvious difference between Social Groups, such as 'Waterloo Road' (Teachers and Students), Conflicts are portrayed as a problem that simply needs to be dealt with. In one episode, a problem occurs (whether it a problem concerning a Teacher or a problem concerning a Student) and the episode shows how both the opposing social group and the main social group reacts to this situation. Social Groups then have their own reactions, they can be angry and aggressive or confused and surprised. In some Television Dramas, such as 'Doctor Who' or 'Sherlock', the characters' react with enthusiasm and enjoyment and even have fun.

Task 1


Research types of TV Drama and give three examples of each

This Task is a bit plain and boring, so instead, I'll give more! 
Which of these are your favourite shows?

Soap Opera  

Eastenders - Coronation Street - Emmerdale - Hollyoaks - Doctors - Home and Away - Neighbours - The Archers - Brookside - The Bill - Dallas - General Hospital - Pobol y Cwm - The Royal/The Royal Today - The Practice

Costume/ Period Drama  

Downton Abbey - Upstairs Downstairs - The Tudors - Boardwalk Empire - Mad Men - Deadwood - Dr. Quinn - Medicine Woman - Little House on the Prairie - Freaks and Geeks - The Hour

Medical/ Emergency Drama  

Casualty - Holby City - Doctors - The Royal/The Royal Today - Doc Martin - Green Wing - The Indian Doctor - Silent Witness - Getting On - Doogie Howser, M.D. - ER - Scrubs - House, M.D. - Grey's Anatomy - Nurse Jackie

Literary Adaptation Drama  

Sherlock - Tracy Beaker - Miss Marple - Agatha Christie's Poirot - Great Expectations - A Christmas Carol - David Copperfield - Bleak House - Oliver Twist - A Midsummer Night's - Dream - Much Ado About Nothing - Macbeth - Hamlet - The Taming of the Shrew - Othello

Crime Drama 

The Bill - Midsomer Murders - Sherlock - Diagnosis: Murder - CSI: Crime Scene Investigation - CSI: Miami - CSI: NY - Murder, She Wrote - Charlie's Angels - The Avengers - Good Cop - Inspector Morse - A Touch of Frost - Agatha Christie's Poirot - Miss Marple

Contempory Melodrama 

Skins - Waterloo Road

Comedy Drama

Being Human - My Family - Glee - Green Wing - Citizen Khan - The Inbetweeners - Psycoville - Pushing Daisies - Scrubs - Shameless - Ugly Betty - My Name is Earl - Chuck - The Big Bang Theory - How I Met Your Mother

Sci-Fi/ Fantasy Drama

Doctor Who - The Hitchhiker's Guide to the Galaxy - Star Trek - Star Trek The Next Generation - Star Trek Deep Space Nine - Smallville - Buffy the Vampire Slayer - Babylon 5 - Stargate SG1 - Stargate Atlantis - The Incredible Hulk - Battlestar Galactica - Heroes - Lost - The X Files

Spy Drama

The Avengers - Get Smart - MacGyver - Spooks - Spy - MI High

Task 2


TV Scheduling

There are various different types of strategies used whilst scheduling TV shows:

Block Programming - Block programming is used when the television network schedules similar programs back-to-back, this technique is used to retain the highest possible amount of viewers.

Counter-Programming - Counter programming is used when a time period is filled with a program that appeal is different from the opponent program because it could be a different genre or something appeals to a different audience. 

Bridging - Bridging is used to prevent a channels viewers leaving their station.This is accomplished by having a program already up and running with an eventful part being shown, also by showing well watched shows late so the viewers stick around and watch other shows before hand on their channel.

Cross Programming - Cross programming involves the combining of two programs. This is used by continuing two episodes, for example leaving on a cliff hanger that will finish the next episode!

Day Parting - Is the separation of the TV Scheduling day. 

  • Sign-On
  • Early Morning News
  • Early Morning
  • Late Morning
  • Day Time Television 
  • Early Fringe
  • Lunchtime News
  • Early Afternoon
  • Late Afternoon
  • Early Evening
  • Evening News
  • Prime-Time
  • Late-Night News
  • Grave-Yard Slot
  • Sign-Off

Theme - Having certain themed scheduling - for example having a day dedicated to Eastenders because it has been running for 50 years that day. 

Hammocking - Broadcasters use this technique to boost views of unpopular shows by sandwiching the show in between two popular shows, in the hope that viewers will stay on their channel and watch this show.

Hot-Switching - This is where the programmers eliminate any sort of break for adverts to immediately attract the viewer to stick on what is about to air. 


Wednesday, 10 October 2012

Mis-en-scene assignment plan


Hustle
The Killing
Lighting
·       Bright when dreaming
·       Dull office, not much lighting
·       Very darkly lit to symbolise danger/unhappiness/mystery
Props
·       Telephone, computer, paperwork, desk, computer chair to symbolise it is in an office
·       Abatoir equipment
Special Effects
·       Strange sound effects whilst man is in a daydream
·       Smoke at the start
·       Reflection and shadows of both characters at some points
Music/Sound Effects
·       Twinkling sound at the very start
·       Music in the man’s dream, fantasying about one of the women in the office.
·       Peaceful, happy music to symbolise joy
·       Woman breathing heavily at the start to symbolise out of breath and in a hurry
·       A beat to go with the speed of woman running
·       Sounds of moving objects (banging and crashing) at the start
·       Sound of water at beginning
Camera Angles
·       Camera looking down/over the man (Dexter Gold)
·       Begins with camera at a low angle looking up to the room (hallway)
Shot Types
·       Close-up on woman’s face
·       Wide shots and close -ups
Characters
·       3 Characters
·       One man
·       Two women
·       2 characters
·       One woman
·       One man (criminal)
Setting
·       Set in an office
·       Dull coloured office
·       Afterward set in Dexter’s dream
·       Set in an abatoir at the start
·       Then two characters running into a party then around a block of flats
Makeup/Hair/Costume
·       Bright/gold colours on the woman he is fantasying about
·       Lots of makeup on woman and hair done nicely
·       Man in a suit to symbolise he is working in an office
·       Woman in office uniform
·       Not much makeup
·       Curly/messy hair