Thursday, 7 March 2013

How does film classification affect film production and distribution?



Films are classified by a company called the BBFC (British Board of Film Classification) and they are classified for one main reason, which is to protect children from unsuitable and harmful content in films and to give consumers information they might need about a particular film before deciding whether or not to view it, the BBFC examines and age rates films and videos before they are released. This independent scrutiny prior to release ensures the highest possible level of protection and empowerment in order to protect children from viewing anything that could harm them. The BBFC look at issues such as discrimination, drugs, horror, dangerous and easily imitable behaviour, language, nudity, sex, and violence when making decisions on what age rate is given to a film. The theme of the work is also an important consideration. The BBFC will also consider context, the tone and likely impact of a work on the potential audience. The release format of a work has an impact on classification. Their decisions on the age rating of DVDs/Blu-Ray can occasionally be stricter than at the cinema because there is a higher risk of underage viewing in the home and a greater potential for watching scenes out of context.

When film production companies are in the making of the film, if for example they are creating a children’s film, they must consider all of the different aspects in the film that could be unsuitable or harm children. This is because the BBFC, could classify the film with a higher age rating than the film production company were hoping for, as this could affect their target audience. Therefore, filmmakers must consider when making children’s films to not include any themes or reference to sex, violence, drug-use etc. For example, a film such as ‘Paranormal Activity’ and ‘Saw’ has been classified as 18. This is because they contain scenes of violence, horror, gore and sexual references. These would have been classified an 18 by the BBFC because they are too harmful to anybody under the age of 18 and could psychologically harm them.

Film classification can affect the distribution of a film. This is because, a film has been rated as a ’15’ or ‘18’, advertisements of the film are very likely to be shown after 9:00pm because people above the age of 15 are likely to be watching television at this time. Therefore, films classified as ‘PG’ or ‘U’ are likely to be shown during the day and before 9:00pm because this way film production companies can target the correct audience for the film. Furthermore, films for people over the age of 15/18 being advertised on boards at the cinema or bus stops for example, are not likely to show harmful images/content as this could harm children who see the advertisements who are underage for a 15 or 18 film. This can affect the distribution of film because films that are classified by the BBFC to be a 15 or 18 can affect what images or clips are shown in adverts because film companies must not include any harmful content that can affect younger children. However, if a film for children classified as ‘U’ ‘12’ or ‘PG’ film companies are likely to distribute their films by advertising on children’s TV shows or by giving out toys in McDonalds that relates to the current film being advertised.

Film classification can also affect film production. This is because the producer of the film must consider the target audience they would like to produce their film for. They will then have to work around this and try to find and choose suitable actors/actresses, consider what is included in the script and the language used in the film that would suit fit their particular target audience. For example when producing a PG film, film production companies would have to consider the language used as children can influenced or harmed if they are exposed to bad language in a film. Therefore, film companies must be certain that the film is 100% suitable for their target audience especially if it is targeted at the younger audience. This is why it is important to consider the specific age classification for a film when producing it.  

In conclusion, film classification can affect the film production and distribution in a positive and negative way. It can affect it positively because it will make film production companies more aware of the content they include in a film to ensure that they do not cause any harmful content that could affect young children. It can however affect film production and distribution negatively because it can affect where and when films are distributed, as film companies may not target the correct audience if a horror film is being distributed because it is difficult to decide when and where the film can be advertised because harmful content cannot be exposed to the wrong target audience.

Monday, 11 February 2013

Who holds the most power in terms of influencing what films get made and seen?



There are varied stages in the film production cycle e.g. distribution, exhibition and marketing. Different groups have different influences on how a film gets made and seen for example… audience, studios, production cast, writer, star, director etc.

My first argument is that the audience holds the most power in terms of influencing what films get made and seen. My reason for this is because without an audience of course, a film would not get seen and therefore a film would not make any money. It is easy to distinguish what films are popular from viewing box office statistics. For example, a recent film (Sky Fall) produced by Sony, made $302,823,504 from viewings, with the production budget costing $300million. The production cost would have also included the advertising costs Sony would have used to spread the word of the new film for people to see so they are attracted to the advert if they are interested in the action genre of film. Without advertising, the target audience would not be notified about the film and Sony probably wouldn’t have generated as many views. The amount Sony generated from this film shows that the audience played a big part in the amount they made because without an audience paying to see the film, Sony would not have made such a large amount.

On the other hand, it could be argued that the audience does not hold that much power in terms of influencing what films get made and seen. It could be argued that it is the big media/film conglomerates that holds the most power and has the biggest influence on what films are made and seen. Media conglomerates are huge multinational media companies who own: film studios, TV stations, record labels, magazines, newspapers, books, internet platforms etc. An example of a media conglomerate is The Walt Disney Company; in terms of revenue they are the largest media conglomerate in the world. The reason the media conglomerate has the most power is because they have the power to promote the film wherever they like, so that the target market notice the film and go to see it. For example, Walt Disney Company can promote a new film by advertising and giving out toys in McDonalds Happy Meals for kids, so the children are intrigued by the advertisement and toys and are persuaded to see the film. Media conglomerates are also a very powerful source in influencing how and film gets made and seen because the film may have originally been just a book, then created into a film. This is very likely to influence people who have read the book, especially if they enjoyed it they would be very likely to go and see the film after it has been produced. Media conglomerates can be very powerful and influence how a film gets seen and a lot more influential than the audience because the media conglomerate is what influences the audience to see the film through major advertising campaigns.

However, this can also be argued because it known that the ‘star of the film’ is what holds the most power as to how a film is created and viewed by the public. This is because, the more popular or ‘loved’ a famous star is by the public, the more views a film is likely to get. A very good example of this is Channing Tatum, a huge film star and heart-throb adored by many people worldwide, especially loved by women. An example of the films Channing Tatum has starred in is: Dear John, G.I. Joe, The Vow, Step-Up and 21 Jump Street. All of these films been relatively recent and the film companies produced a huge amount of profit due to Channing Tatum starring in these films. This is just one example of how the ‘star’ can be the most powerful source in terms of what films get seen and made. All of these films Tatum starred in, his face was plastered across every advertising campaign possible to catch the female attention because they are extremely likely to view the film if their favourite heart-throb is starring in the film. If for example, unknown/not very popular film stars are starring in a new Hollywood film, and no heart-throbs are starring in the film, many people are likely to not be as interested as they would be if a huge Hollywood star had a part in the film. This just shows how much power a star can hold in terms of what films are made and seen.

In conclusion, I believe that the media conglomerate is the most powerful source in influencing what films are made and seen because huge media conglomerates such as NBC, Disney, Universal are just a few examples of the biggest media conglomerates in the world who possess a lot of power and can have a huge influence over what and how films are made and seen. This is because they can create huge advertising campaigns that attract the right target audience, they can get hold of the biggest Hollywood actors to star in their films and this can really persuade an audience to go and see the film.

Thursday, 24 January 2013

Les Mis Trailer

https://plus.google.com/u/0/103970729607209161521/posts/gorCupEeeEL

Les Misérables


The Production: Les Misérables is a 2012 British musical drama film produced by Working Title Films and distributed by Universal Pictures
The film is based on the musical of the same name by Alain Boublil and Claude-Michel Schönberg which is in turn based on Les Misérables, the 1862 French novel by Victor Hugo.
The film is directed by Tom Hooper, scripted by William Nicholson, Boublil, Schönberg and Herbert Kretzmer, and stars an ensemble cast led by Hugh Jackman, Russell Crowe, Anne Hathaway, and Amanda Seyfried. 
Directed byTom Hooper
Produced byTim Bevan
Eric Fellner
Debra Hayward
Cameron Mackintosh
Screenplay byWilliam Nicholson
Alain Boublil
Claude-Michel Schönberg
Herbert Kretzmer
Based onLes Misérables(musical) by
Alain Boublil
Claude-Michel Schönberg
StarringHugh Jackman
Russell Crowe
Anne Hathaway
Amanda Seyfried
Eddie Redmayne
Samantha Barks
Helena Bonham Carter
Sacha Baron Cohen
Music byClaude-Michel Schönberg
CinematographyDanny Cohen
Editing byMelanie Ann Oliver
Chris Dickens
StudioWorking Title Films
Cameron Mackintosh Ltd.
Distributed byUniversal Pictures
Release date(s)
  • 5 December 2012 (London, premiere)
  • 11 January 2013 (United Kingdom)

CountryUnited Kingdom
LanguageEnglish
Budget$61 million
Box office$282,071,625

Wednesday, 9 January 2013

Love Actually - Classic British Film


Love Actually

Director: Richard Curtis

The Working Title Films production, budgeted at $45,000,000, was released by Universal Pictures. It grossed $62,671,632 in the United Kingdom, $13,956,093 in Australia and $59,472,278 in the US and Canada. It took a worldwide total of $247,472,278.
Most of the movie was filmed on location in London, at sites including Trafalgar Square, the central court of Somerset House in the Strand, Grosvenor Chapel on South Audley Street near Hyde Park, St. Paul's Clapham on Rectory Grove, Clapham in the London Borough of Lambeth, the Millennium Bridge, Selfridges department store on Oxford Street, Lambeth Bridge, the Tate Modern in the former Bankside Power Station, Canary Wharf, Marble Arch, the St. Lukes Mews off All Saint's Road in Notting Hill, Chelsea Bridge, the OXO Tower, London City Hall, Poplar Road in Herne Hill in the London Borough of Lambeth, Elliott School in Pullman Gardens, Putney in the London Borough of Wandsworth, and London Heathrow Airport. Additional scenes were filmed at the Marseille Airport and Le Bar de la Marine.
Scenes set in 10 Downing Street were filmed at the Shepperton Studios.

Starring
Music by
Cinematography
Michael Coulter
Editing by
Studio
Distributed by
Release date(s)
7 November 2003 (limited)
14 November 2003 (US)
21 November 2003 (UK)